I always say about acting: the audience doesn't come to see you, they come to see themselves. So if you're able to give them an experience where they feel, 'Oh, my gosh, that's me, that's my story, they know!' then you've done your job.

We impose order and narrative on everything in order to understand it. Otherwise, there's nothing but chaos.

Comedy is ridiculously hard. And if the rhythm is not right, if the music or the line is not right, it's not funny.

The thing about 50 is that you've clearly reached a point where you have more of your life behind you than ahead of you, and that's a very different place to be in. You're thinking, 'I've done most of it.' I don't like that feeling. But it makes you evaluate your life and go, 'Am I doing what I want to do? Am I spending my time the way I want?' 

If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy.

It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.

Men aren't asked about age. Men aren't asked about their children. Not that these things aren't important, but I do feel like it becomes reductive when a woman's life becomes, 'Talk to me about your kids and how you feel about plastic surgery.'