[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.

I read the script [Havenhurst] and I went to bed, but I woke up because somebody had knocked on my door. Or at least it seemed like somebody knocked on my door at, like, 4 in the morning.

I'd always thought that acting was, like, you had to work really hard, you had to change the way you walked, you talked, and all of that. But that's not acting. That's shmacting.

I think Sarah Michelle Gellar has done some brilliant work as Buffy.

Darla [from Buffy The Vampire Slayer] was where I grew up. For me, Darla was like going to graduate school for acting. I learned so much with Joss Whedon and David Greenwalt. They encouraged us to make creative choices with our characters.

[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.

So it's nice to know that Rita had that impact, and it was nice to end a character on a high note like that. But, again, in the moment... I always say, nobody was more devastated than me [from Rita's death in Dexter]!