Julie Harris Quotes

I don't understand what modern clothes are about at all.

To fine that light within--that's the genius of poetry.

Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.

I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.

I really have a generation gap about modern clothes.

When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.

I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.

God comes to us in theater in the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.

I did a film called Dracula and it was very nice because I had lots of trips to New York on Concorde.

I don't know much about football but everyone seems to say that it is all about possession.

I find shoestrings very hard work. I like big budgets.

I would loathe to work on modern films.

But with period clothes, people know less so they accept the pretty drawing that I give them.

I liked Live and Let Die, where money was no object.

I saw a very good Hollywood film the other day. It was about Cole Porter.

I have to go back to my younger days, when I just adored Hollywood musicals.

I got the boot once from Stanley Donen. The film was called The Little Prince.

It's nice when you work with someone who has an eye for clothes and will show what you've given them.

I didn't know whether I wanted to be an actress or a singer then.

With the black and white films, one was concerned with tone.

There are wonderful museums with lots of photographs of 1920's musicals.

You are lucky that I can't sing tonight because I might get carried away.