I've managed to include only enough historical detail to give the "flavor" of the time period while keeping the characters and story focal.

My hope is that my novels reflect the reality of a world where good and evil exist, imperfect people make mistakes, but a perfect Heavenly Father offers forgiveness and second chances.

I find research fascinating and always conduct some before I begin writing, and then fill in the rest as needed. I read stacks of books and also had the opportunity to travel to England to do more research.

I am asked to submit a 2-3 page synopsis to my publisher ahead of time, so by the time I begin writing, I have a fair idea of where the story will begin, the main conflicts, and the basic ending point. But that still leaves plenty of room for changes and discovery along the way.

I believe a novel must first of all be a good story. My hope is that the spiritual message is woven in so well, is such a part of the fabric of the story and of the characters' lives, that it is subtle but meaningful. This is difficult to do well and is something I constantly endeavor to improve.

For my second novel, The Apothecary's Daughter, my editor encouraged me to think of another unusual profession for a woman to have. That led to the main character, Lilly Haswell, who finds herself doing the work of an apothecary at a time when it was illegal for women to do so.

I would never believe it of you, my boy, regardless of the schemers your mother and sister turned out to be. You may not be the most clever boy, nor the most prudent, nor the most gentlemanlike, nor...Edward cleared his throat.Right! But you have a good heart, and I have every hope that with the proper education and mentoring you will be credit to the family yet.