I don't ever work in a way where something is an illustration of an event, but when something is occurring at the same time I see it as very informed by that.

I'm not trying to spell out a story. I still think you feel the painting, and the reason you read the mark is because you also feel the mark.

Race always comes up in the conversation of Detroit.

I don't ever work in a way where something is an illustration of an event, but when something is occurring at the same time I see it as very informed by that.

When you're not a mom, you can get up in the middle of the night, paint, sleep all morning... you can't do that when you have two children!

I'm really interested in the nondefinitive element of abstraction.

I always wanted to be an artist, but I didn't really know how someone could make a life out it.