I feel like there's so much focus on the woman when you're pregnant, and it's amazing and beautiful and everybody's taking care of you, and then you have the baby and nobody's interested. And yet you are the most vulnerable you've been - I mean, I'm speaking on my own experience. Other women may have very different experiences.

I think I certainly know that the space I want to work in is a fearless space.

I love The Golden Girls. I've watched recently, and it's sort of insane there's a chef that they're always referring to as "fancy" - the pilot's kind of a mess.

I feel like there's so much focus on the woman when you're pregnant, and it's amazing and beautiful and everybody's taking care of you, and then you have the baby and nobody's interested. And yet you are the most vulnerable you've been - I mean, I'm speaking on my own experience. Other women may have very different experiences.

There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.

[I think] everybody should see a dermatologist.

I think, is a cultural thing, too. You know, everyone wants to see the baby. Everybody's bringing gifts for the baby.