[The Women's Room] is one of those pieces of fiction that reveals itself in a different way every time. It's incredible.

There was that moment of, "Oh, my parents are watching Columbo and I hate it" to "No, I love this show, too." And I feel like, for me, that was around 11 or 12, where I could actually join my parents in their viewing and wasn't so irritated that they were always watching Columbo.

I got so into moisturizing, my skin started overproducing oil. That's my story. There's a lot to talk about, for sure.

[The Women's Room] is one of those pieces of fiction that reveals itself in a different way every time. It's incredible.

Anyone who knows my professional history has known I've gone through a gazillion managers and agents or whatever. I'm like, "This doesn't feel right - moving on." I don't really suffer fools, which makes it easier for me.

Writing pilots is such a specific thing. It's not even really writing TV shows. A pilot is its own beast.

I'm afraid of death, obviously.