I got very self-conscious about the way I look. So I, especially with young people coming into the industry and young actors, I feel it's really terrible to start with their looks. Right? Because especially for women, it just puts you in your head at a time when you should really be focused on your work and what you're saying and doing and not how you look.

I was early in my career and didn't understand that people were looking at me and critiquing me yet.

A lot of men, they don't put anything on their faces. And some women also overdo it.

My perfect Sunday is waking up at 10 - which, you know, those days are over for me - but waking up at 10, breakfast with children, hanging out with well-behaved children.

If someone tells me, "I just wash my face with soap," we have that discussion. And a lot of men, too. Thank god Paul Scheer knows to moisturize.

Anyone who knows my professional history has known I've gone through a gazillion managers and agents or whatever. I'm like, "This doesn't feel right - moving on." I don't really suffer fools, which makes it easier for me.

There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.