I got very self-conscious about the way I look. So I, especially with young people coming into the industry and young actors, I feel it's really terrible to start with their looks. Right? Because especially for women, it just puts you in your head at a time when you should really be focused on your work and what you're saying and doing and not how you look.

That's my big fear, and not enjoying things as much as I could and realizing actually how awesome life is right now.

I read [The Women's Room] in my 20s, and I was like, "I understand this now." And now I've become a mom and read it again and truly understand on a different level what one of the main characters goes through as a mother.

I'm more focused or try to be more focused on my acting and writing and comedy and let the other stuff fall where it may.

[The Women's Room] is one of those pieces of fiction that reveals itself in a different way every time. It's incredible.

I feel like there's so much focus on the woman when you're pregnant, and it's amazing and beautiful and everybody's taking care of you, and then you have the baby and nobody's interested. And yet you are the most vulnerable you've been - I mean, I'm speaking on my own experience. Other women may have very different experiences.

There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.