I really do. I don't see it as a kind of elite experience - it's our biggest organ. We need to see a dermatologist and have them really look at our skin and figure out what's going on.

[Paul Scheer] was kind of pretending to not be as sick as he was. And then we almost pulled into this spa when I finally called it and said, "I'm very ill. We need to go home." And he said, "I am, too." He said that he wasn't going to do his treatments, he was going to - by the way, these are great problems to have - he was going to lie in the men's relaxation room in between throwing up. I was like, "This is insane. We're sick, and we need to just acknowledge it. And it sucks that it happened on my birthday, but let's get back into bed."

I was under the misconception that I have oily skin, I'm prone to breakouts, I shouldn't moisturize or put anything on my face. And then realizing, "Oh, no, my skin is incredibly dry - that's why I'm breaking out. I need to wear moisturizer." Some of these steps could be anti-"I'm serious," but that's the one thing I feel I know the way on. I'm not snobby about anything else.

There's a book called The Women's Room by Marilyn French that was a really big part of my personal feminist awakening growing up that I read.

I'm like, "You could not wake up in the sixes? Does it really gotta be in the fives?" Because the 5 really feels like nighttime. I don't like the day starting at 5.

I got very self-conscious about the way I look. So I, especially with young people coming into the industry and young actors, I feel it's really terrible to start with their looks. Right? Because especially for women, it just puts you in your head at a time when you should really be focused on your work and what you're saying and doing and not how you look.

[The Women's Room] is one of those pieces of fiction that reveals itself in a different way every time. It's incredible.