There's a book called The Women's Room by Marilyn French that was a really big part of my personal feminist awakening growing up that I read.

[Postpartum] is a raw time when you need your friends and family to swoop in in a very real way.

I got so into moisturizing, my skin started overproducing oil. That's my story. There's a lot to talk about, for sure.

Unfortunately, this past birthday, my son was up the entire night before, very sick with that horrible - I think it was called the Norovirus or whatever the hell that was that was going around. So I got it. And then my husband [Paul Scheer] got it. We were both fighting it because he had planned this whole day for me, and we were both pretending it wasn't happening. We were literally driving ourselves to a massage and facial that he had planned and at one point, I was like, "I can't drive anymore. I need to get in the passenger's seat."

There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.

The sexual revolution... it was the first time I had read anything that came close to describing those feelings of being outside of my body, feeling the shame, all of it, that I really was able to connect to in that book. So it sort of blew my mind. I was also listening to Tori Amos at the same time, so I was like, "Wait, what's happening?!" It was all a part of that, probably when I was, like, 13.

I got very self-conscious about the way I look. So I, especially with young people coming into the industry and young actors, I feel it's really terrible to start with their looks. Right? Because especially for women, it just puts you in your head at a time when you should really be focused on your work and what you're saying and doing and not how you look.