I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.

A big thing for me is trusting the director, so I don't need to watch playback. I feel like the director is gonna tell me whether it's right or not.

I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

It's all about the director for me; we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.

If people want to criticize a performance, that I understand. I think that's important. What's going on with this industry now is crazy. That obsession with celebrity is madness. I try as hard as I can not to read that stuff. Because most of the time it's a bit... factual. And it's frustrating because it's not about what you're setting out to do as an actor.

There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.