For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.

I think there are so many unmaiden roles for women. I've been lucky enough to play girls with lots of different attitudes about sex. There's a couple other movies at Sundance that also show sex in a different way. That's exciting. I actually don't think women are being pigeonholed right now, and I like that. It's showing that men and women - when it comes down to it, we're animals, aren't we? I know how my next-door neighbors feel about it, and I hope they're enjoying it.

A big thing for me is trusting the director, so I don't need to watch playback. I feel like the director is gonna tell me whether it's right or not.

You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

You can learn from getting to watch some of your favourite actors and actresses on-set. It's fascinating. It's amazing how professional someone like Eva Green is about work. It's inspiring. In reality, they're human beings who are really good at their job. So, that's really exciting to be around.