I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.

I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.

My dad, Julien Temple, is unbelievable, so supportive. He's helped me to make such important decisions and he's so proud. I really admire him... I think he's one of the most talented people in this industry, so to have him be proud of what I'm doing is incredible.

A big thing for me is trusting the director, so I don't need to watch playback. I feel like the director is gonna tell me whether it's right or not.

When you're first in love with somebody, and it's not true love, it's borderline obsession, it's kind of like an addiction. You switch into this weird, weird part of your mind when you just can't live without that person. And you want to envelop them. You want them flowing through your veins.

If people want to criticize a performance, that I understand. I think that's important. What's going on with this industry now is crazy. That obsession with celebrity is madness. I try as hard as I can not to read that stuff. Because most of the time it's a bit... factual. And it's frustrating because it's not about what you're setting out to do as an actor.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.