This is what I know: people's hopes go on forever.

People can say what they want, but historically, feminism in the Dominican Republic has been extremely strong. I guess the best way of saying it is that no one could have survived what we survived - whether it was first extermination and slavery, then abandonment and erasure, then the series of gunboat two-bit dictatorships, followed by the final apotheosis of dictatorships, the Trujillato. You couldn't survive it without the resistance of this kind of woman.

I came up under [Ronald] Reagan and under [George] Bush, and what are we to do now? We are here to fight. People can run off all they want. But for me, [Donald] Trump is already in the Dominican Republic.

For me, the battle isn't Hillary [Clinton] vs. [Bernie] Sanders. And I understand that for some people that's the battle. But for me, more than anything, it's stopping a Republican president.

But if these years have taught me anything it is this: you can never run away. Not ever. The only way out is in.

When I was thinking about these women characters, no matter how bad a person I am - a bad writer, my limitations, my sexism, you know - the thought was, it would be useful as a writer to try to create a template for all the male writers, especially Dominican male writers, especially males of color, of how a writer can use seeing to create more nuanced representations of women.

For me I was always a smart nerdy kid. I wasn't the smartest and I wasn't the nerdiest, but I was a smart nerdy kid my whole childhood, and I definitely wanted to be somehow involved with reading the rest of my life, and I came from a community, I lived in a community, I was part of a community where reading was considered completely alien.