As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.

Inspiration has to be natural for me, not so considered, I am not saying that is right or wrong, it's simply what works for me.

I know a lot of mainstream hip-hop people, have been listening to things like Aphex Twin for years. When somebody first played me some of that album, I was just like, "Woah!"

I do consider myself a very spiritual being. I fear being seen as political in any context because it's so limiting, but I do feel Godflesh is a protest music of sorts. That was the background that I came from.

I'm always interested in very, very futuristic music and bridging the gap between the physicality of organic guitar music and trying to translate that into something electronic is really fascinating.

Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.

There's always gonna be people saying they were so much better back in the day.