As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.

Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.

I think when you can be supremely self-indulgent sometimes it's easy to get up one's own asshole. I need parameters. I need discipline.

I can't even listen to Swans anymore. It doesn't do it for me at all, but I absolutely adore the early records and, on that same token, I wouldn't in any way wish for them to come back and repeat themselves.

I'm always interested in very, very futuristic music and bridging the gap between the physicality of organic guitar music and trying to translate that into something electronic is really fascinating.

I feel somewhat privileged because I often feel very sorry for kids. I often feel very sorry for 20-year-olds and teens who grew up with the internet and have grown up completely connected because, for me, people like me know what it was to struggle, but it wasn't a struggle. It was great! It was fantastic. The thrill of the hunt.

Inspiration has to be natural for me, not so considered, I am not saying that is right or wrong, it's simply what works for me.