Ultimately I live in the now with artistic creation, not what could or could not be in the future, if a creation appears timeless in somebody's opinion, it won't in others, that's not for me to guess.

Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.

Cultures have gone down and rebuilt again and I'm sure we're all facing the same level of extinction.

As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.

Ultimately I live in the now with artistic creation, not what could or could not be in the future, if a creation appears timeless in somebody's opinion, it won't in others, that's not for me to guess.

Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.

I'm always interested in very, very futuristic music and bridging the gap between the physicality of organic guitar music and trying to translate that into something electronic is really fascinating.