It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall, black guy walking down the street. That is frustrating.

I love being entertained sure, but the movies that I live for, the movies that I buy and think about and stay in my mind are the movies that entertain me but leave me with something a little uncomfortable to grapple with in the lobby.

I love the art house, and when I say the art house, I don't just mean little, independent movies but movies that really aim to be about something and say something and I love those movies.

I am more than a black guy. I am a person, I'm storyteller, I'm a son, I'm a friend, so I am all those things so it is frustrating to a degree to be limited by other people's perceptions of me but at the same time, it is true that I am a black guy and it's like I'm rooted in, but not bound by. That sort of mentality, that's the one that I hold to be true.

I love when scenes are intentionally and meticulously planned so we feel like this is a handcrafted scene that only works in this moment and this movie, and that's the way I approach my films.

I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works.