It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall, black guy walking down the street. That is frustrating.

One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.

Racism is wrong, racism is very dangerous.

I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works.

As a director, I try not to implement a way for working, for every single actor, across the board. I try to work with each one, on an individual basis.

I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

If the characters [in a movie] aren't real, if their lives aren't realistic, if you call bullshit at any point in their journey, then the rest of it is invalid.