I love films from all these different points of views that used the idea of the school as a way to talk about the American experience. It took me a while to figure how to write a movie like that, because that's not something you learn at film school

I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works.

I love the art house, and when I say the art house, I don't just mean little, independent movies but movies that really aim to be about something and say something and I love those movies.

As a person of color, I was just really tired of the fact that I wasn't seeing my story in the culture.

I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.

Racism is wrong, racism is very dangerous.

If the characters [in a movie] aren't real, if their lives aren't realistic, if you call bullshit at any point in their journey, then the rest of it is invalid.