There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.

I always go to bed thinking I'm the luckiest guy in the world.

There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.

I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.

I did Chekhov's Three Sisters once. Two months in, I remember going, "Human beings shouldn't be forced to do or watch this play every night." It's so dark and so bottomless.

I didn't have a lot of ambition, which I think was a good thing. I mean, I was ambitious about quality, but I wasn't ambitious in the "I've got to get a pilot!" way. I never went out to L.A. for pilot season.

It's like, once you've seen Tom Hanks win the Golden Globes, the Oscars, you've seen his wife, what kind of car he drives, when you watch his movies, you can't fully get really lost in them.