In New York, you can bump into someone on the street and go to a thing, go get coffee real quick.

I didn't have a lot of ambition, which I think was a good thing. I mean, I was ambitious about quality, but I wasn't ambitious in the "I've got to get a pilot!" way. I never went out to L.A. for pilot season.

Being a fan of comedy, it's so unique, in their own voice. I was really stoked to be able to participate. They're so great at just coming up with stuff on the fly and making stuff funny.

I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.

There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.

There was a time when doing "Zoolander 2" that I was literally flying between the "Zoolander" shoot and "The Leftovers" in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, "Oh my God, I get to laugh on set."

I've never been the guy who's like, 'I take it home with me.'