I'm not method or anything like that, but sometimes you get the scenes and you're like 'Really, Damon [Lindelof]? More of this? Can I have one scene where it's a walk in the park?' But he doesn't do that. He puts every character through their paces.

There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.

There was a moment, late into the season, where I was noticing I was darkening a little bit at night. I was like, 'It will be nice when the show is over for the season. I need a vacation.'

Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.

I like all the clichés. I mean, I love someone who lives in Los Angeles - so that's a big draw. But I love the weather. It does feel like a slightly healthier lifestyle, being able to hike and do all that crap.

You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.

You try to break it down to weeks at a time otherwise you sort of make yourself crazy spinning out going from one....you just can't get your head around one of them fully. So I'm more task oriented. I like to sort of like focus on one thing for a couple of weeks...and also they're all in different stages of development.