I feel more comfortable writing firmly comedic or slightly comedic stuff.

You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.

I love New York. It's kind of perfect. I'm in New York part of the time and in L.A. part of the time. That's always been a goal, to be bicoastal in a real way.

Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.

I mean the good thing about Marvel is that they're really good about reading what they call the shareholders - the fans. Because they really are the keepers of what keeps these movies going, you know?

D.C. is a hard city to grow up in. I couldn't find my footing there. Also, I got a late start academically, and I was dyslexic.

I devoured TV - everything from Super Friends in the morning to Dukes of Hazzard and The Love Boat and Fantasy Island at night. I watched it all. There were only four channels, so you could actually consume all of television if you were good at changing the channel.