Iโm not doing anything wrong, Iโm not obstructing anyoneโs access. When I have a crowd I make sure that the crowd makes room for people. Iโm an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.
Kalan SherrardPuppets and dolls are the gateways between human beings and objects. There are tons of cliches to spout about puppetry and animism, the primacy of the object, attacking anthropocentric worldviews, etc, and while there were always puppets around, I started working with them to deal with the times I knew I wouldn't be able to collaborate with other humans, to have a team.
Kalan SherrardMost of the things are either not communicable through human expression or they're top secret. Also I'm working on being a better person, and becoming more disciplined.
Kalan SherrardI do what I do because it seems to be critically missing in the world and I want to see it not-happen.
Kalan SherrardI also eschew the identity of "puppeteer" it is a concept that blurs the boundaries of discrete objects and persons. I do think Anarchist Nihilist Puppet Show is my day job.
Kalan SherrardI'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
Kalan Sherrard