Most of the things are either not communicable through human expression or they're top secret. Also I'm working on being a better person, and becoming more disciplined.

I also eschew the identity of "puppeteer" it is a concept that blurs the boundaries of discrete objects and persons. I do think Anarchist Nihilist Puppet Show is my day job.

Puppets and dolls are the gateways between human beings and objects. There are tons of cliches to spout about puppetry and animism, the primacy of the object, attacking anthropocentric worldviews, etc, and while there were always puppets around, I started working with them to deal with the times I knew I wouldn't be able to collaborate with other humans, to have a team.

I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.

I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.

From my earliest youth I've been riddled with angst about the homogeneity of the world and have tried to do things to break it: attacking abercrombie & fitch in the mall with a plunger, posting strange statues made of garbage around my town, different kinds of interventions, parades and experiments. I've always cared a lot about difference.

Most of the things are either not communicable through human expression or they're top secret. Also I'm working on being a better person, and becoming more disciplined.