From my earliest youth I've been riddled with angst about the homogeneity of the world and have tried to do things to break it: attacking abercrombie & fitch in the mall with a plunger, posting strange statues made of garbage around my town, different kinds of interventions, parades and experiments. I've always cared a lot about difference.

I like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.

I also eschew the identity of "puppeteer" it is a concept that blurs the boundaries of discrete objects and persons. I do think Anarchist Nihilist Puppet Show is my day job.

Everyone should be able to make art about ideas without getting cornered into self-art.

I do what I do because it seems to be critically missing in the world and I want to see it not-happen.

I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.

[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.