As artists, sometimes our work is chaotic; we don't easily communicate our needs to other people in a way that they understand.

I realized that was what was happening in my work already. I think that's where, as artists, we begin to master our craft: when we're able to step back and understand things.

I have the dream to continue being in an art context, but also be able to continue doing stuff in television on the web.

You can dwell on things, and if you open your eyes and pay attention to it, those things start popping up around you.

If I have a piece that's solely based on the web and it's going to also exist in a gallery, it needs to exist in a gallery where it doesn't feel redundant.

I was trying to release emotions, exercise emotions, and then I entered the art world. Even after grad school, some of [the earlier works] were still lingering in my head. I realized there were some pieces where I felt that I had to respond to the criticism.

I've learned that I need to learn how to direct without making the person distracted and keeping them comfortable, and pay more attention to lighting.