I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back.

I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back.

I've been in some biennales, and some I haven't. I always like the idea of how you meet the curator, hang out, and figure out who you want to work with.

You can talk yourself out of doing something if you start to think about, "How would this person see it, or that person see it?" So sometimes it's allowing myself to be in it and not talking myself out of it.

I feel like my perception has changed a little because when I was posting stuff online it was an extension of my studio and then it started getting some of the attention. Now it's like, "Oh, this is actually a place where you can make money," but I'm not interested in competing in that space. It seems like too much to deal with.

If you want to be somewhere, you should go to that place and check it out.

I remember when I first started putting things on the web and people were writing about it. I totally didn't keep up with what was going on because I wanted to present stuff in museums and galleries and have some presence on the web. I feel fortunate to have posted stuff in the beginning.