I've been in some biennales, and some I haven't. I always like the idea of how you meet the curator, hang out, and figure out who you want to work with.

I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.

You can dwell on things, and if you open your eyes and pay attention to it, those things start popping up around you.

I almost feel like if I didn't have the gallery and museum content it would be easy to get lost. People's attention spans are so short; they see something and it trends for a few days and then it goes away and something else comes.

It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating.

Sometimes you divorce a part of yourself to save yourself emotionally.

If I have a piece that's solely based on the web and it's going to also exist in a gallery, it needs to exist in a gallery where it doesn't feel redundant.