Well, if someone has got all the money in the world, they'd still want love.

The creatives, they want to connect with people. These artists, the clothing designers, they want to connect with people the same way that music gets to connect with people. But the cost of silk is too expensive. And they won't lower their quality levels. So I can spend $2 million on a record and give it out in a democratic way. They could spend all their time making the greatest dress in the world, and it's just impossible to hand-make that many.

So I hope that there are people out there laughing. Laugh loud, please. Laugh until your lungs give out because I will have the last laugh.

One thing that I like to do is use words that have never actually been used in a rap song before. I also like to take words that have negative connotations and show their real meaning.

I walk through the hotel and I walk down the street, and people look at me like I'm [expletive] insane, like I'm Hitler. One day the light will shine through and one day people will understand everything I ever did.

I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.

I'm talkin' about us, the new slaves, the people who love fashion. I'm talking about us, you know? 'Cause I'm a slave to it. I love it.