I'm still just a kid learning about minimalism, and he's a master of it. It's just really such a blessing, to be able to work with him. I want to say that after working with Rick, it humbled me to realize why I hadn't - even though I produced "Watch the Throne"; even though I produced "Dark Fantasy" - why I hadn't won Album of the Year yet.

I don't care about having a legacy, I don't care about being remembered. The most important thing to me is, while we're here, while we're having fun, while we're sleeping, breathng oxygen, living life, falling in love, having pain and having joy...what can we do with our voice to make things easier, to help someone to make it better for our kids.

I'm never at my worst because even at my lowest, its a learning experience. It's something that I'll bounce ideas off. I can take negatives and flip them to positives at all times.

I'm a blowfish. I'm not a shark, I'm a blowfish.

You have to think like a designer. You have to establish the trend four seasons before it becomes popular.

People ask me a lot about my drive. I think it comes from, like, having a sexual addiction at a really young age. Look at the drive that people have to get sex - to dress like this and get a haircut and be in the club in the freezing cold at 3 A.M., the places they go to pick up a girl. If you can focus the energy into something valuable, put that into work ethic

I'm gonna sit here on this runway until I'm at the end of it. Because that's that thing that people slave over. That's that thing that people are slaves to. That's that thing that I'm a slave to.