The silhouette says a lot with very little information, but that's also what the stereotype does.

A lot of my work has been about the unexpected—that kind of wanting to be the heroine and yet wanting to kill the heroine at the same time. That kind of dilemma—that push and pull—is the underlying turbulence that I bring to each of the pieces that I make.

One of my earliest memories involves sitting on my dad’s lap in his studio in the garage of our house and watching him draw. I remember thinking: ‘I want to do that, too,’ and I pretty much decided then and there at age 2½ or 3 that I was an artist just like Dad.

The silhouette says a lot with very little information, but that's also what the stereotype does.

If you're a Black artist, you could paint a wall of smiley faces, and someone will still ask you, 'Why are you so angry?'

There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.

Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.