There is no absolute truth that the guy sitting in the cave in the Himalayas is useless, because he is at that point in his journey where he has experienced everything in the world and does not have an attraction to it anymore.

India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.

I think his karma became to serve in nature and not to serve in the world, while I think my karma is to be in the world.

In the year that I take off, I don't have any goals. I just surrender to experiences like traveling or learning yoga and meditation or just living in a completely random place like Mongolia or Portugal or Bhutan. Then when I come back, I am much more intuitive, creative, right-brained. That kind of system has been working very well for me.

Here are two dichotomies here. In the West it is a very physical practice, and even meditation is a practice to become productive and more at peace. In the East, you think of the deep spiritual practices as a journey of complete dissolution of the self, the ego.

What has happened in most of my books is the call to the extraordinary world, the hero's push, or that push has come to him.

I did not have any philosophy at all when I wrote the first novel. I was just wanting to capture experiences that I thought would be inspiring for Indians who are trying to break free from the very high-pressured family environments and do their own thing.