In the first 27 years of my life, I never had written a single non-technical word. I went to engineering college and went to business school. I never knew I could write fiction of any form.

The moment you enter Bhutan, you notice that there are no traffic lights. It is almost like you've stepped into a Shangri-La or a vortex of time 200 years ago. Those kinds of experiences are very much of the countryside of Bhutan, where people are truly happy in the sense of not creating and wanting more.

What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.

There is a role for growth and experiencing the world, and pushing the boundaries of that, and then there is a time to bring it within. All people are at different stages of that journey.

In the West, it is the opposite, like you are using these practices [meditation and yoga ] to further your ego by being more productive, being more this, and getting more out of your work and earning more money. In the East, the whole idea is that you are dissolving your essence through these practices.

The first novel that I wrote was because I was having very interesting sorts of experiences, for Indians of my generation.

I think meditation became truly a means to a deeper connection as I was searching for a deeper truth within myself. Meditation became almost more spiritual than material in nature over the last two or three years and it has deepened a lot as a result of that.