terrorism is interesting to a novelist because it's a crime that's driven by an idea, as opposed to some kind of base materialist impulse. It's not like stealing from someone's house, or even assassinating someone. There are very complex ideological reasons behind these almost abstract acts of violence.

I don't think sexual repression leads to violence, but I can see the situation where you're trying very hard to be very religious and to be good but pornography exerts a strong force on you, and one way to get further away from it would be to immerse yourself in a strong religious system.

There have been many cases in which the government keeps promising compensation, but doesn't pay out. Many of the shopkeepers in Lajpat Nagar were scolded and told that they were inflating their damage estimates - they were asked to revise down their estimates.

It's easier to set off a bomb that kills innocent civilians in a market than it is to plot an assassination, but that obviously was true before as well. I also think it's now easier to get attention for a small attack that goes off in a random market. It's almost like there's a marketplace for terror in the media, and these people are supplying the attacks, knowing that the media will cover them sensationally.

America going into this huge, costly, never-ending war created huge debt, which became a huge problem in Congress and led to it stalling many times, putting a halt to different kinds of social progress.

The problem of empathy is pretty universal, and pretty much breaks down across America. People can't feel beyond their drawn borders. And skin color and culture have a lot to do with that.

Literature has become too psychological. We discount the physical, when in fact much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.