There's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.

It's easier to set off a bomb that kills innocent civilians in a market than it is to plot an assassination, but that obviously was true before as well. I also think it's now easier to get attention for a small attack that goes off in a random market. It's almost like there's a marketplace for terror in the media, and these people are supplying the attacks, knowing that the media will cover them sensationally.

People are rushed and inspired by the success of Indian writers, and are falling over themselves to write novels. Every Indian is writing a novel right now. No one wants to revise.

I don't think sexual repression leads to violence, but I can see the situation where you're trying very hard to be very religious and to be good but pornography exerts a strong force on you, and one way to get further away from it would be to immerse yourself in a strong religious system.

America going into this huge, costly, never-ending war created huge debt, which became a huge problem in Congress and led to it stalling many times, putting a halt to different kinds of social progress.

When I worked as an editor, I read new novels being published in India every few days. They excited me tremendously for the first fifty pages or so, and boasted some true linguistic genius at times, but none of those writers could occupy more than one mind at once.

When a bomb actually goes off, there's a lot of confusion, and people often don't know a bomb has gone off. For a long time, people might think there's been an electrical malfunction or something else that's exploded.