You can say that a small attack is one in which relatively few people die, but the minute you say that, you can sense the ironies in that statement. A blast in which five people are killed is a meaningful blast.

You can say that a small attack is one in which relatively few people die, but the minute you say that, you can sense the ironies in that statement. A blast in which five people are killed is a meaningful blast.

In India the government is very chaotic and poorly run. They are forced into action by public pressure. When it's a larger event, there's a lot more pressure - to do something, to investigate, to give some kind of compensation to the victims. With the smaller attacks, the pain is concentrated on those affected, because they've not just been forgotten by everyone else, which is normal, they've also been forgotten by the government, which lets the cases drag on for years in the courts.

terrorism is interesting to a novelist because it's a crime that's driven by an idea, as opposed to some kind of base materialist impulse. It's not like stealing from someone's house, or even assassinating someone. There are very complex ideological reasons behind these almost abstract acts of violence.

As for the Jewish-American question, what's funny is that I grew up in India, and the Jewish-American comparison is better for second-generation Asians. I'm sure there's something about globalization that has globalized our neuroses, so that I, growing up in India, somehow turned out very similar to you. It's a weird thing, when you think about it, but everyone now is exposed to a mainstream white American world, wherever you are. And so there's this need to belong or measure yourself up to that white world, which leads to all sorts of straining.

There's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.

Literature has become too psychological. We discount the physical, when in fact much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.