I think that people always get what they deserve - whether you're around to see it or not.

If Cargo is a catalyst to spark policy, that would be great. The more we're able to use it as an educational tool, the more it's a building block in youths' minds and peoples' minds to enact policy.

The Bahamas is a small population. But it plays a lot bigger than the population suggests. You feel close to everything. Everything that happens in the wider world happens here. Like migration issues. Or refugee issues. Or homophobia.

I made Children of God because I had to make it. And with Cargo, I also felt like I had to. The impulse comes from something deep inside. Wanting to my country to be better. Because of where we are, we don't always have spaces to reflect.

I think I want the best for my country. I can make work that makes us examine some truths about ourselves - that would be more of a contribution. That's how I see it.

Documentaries were necessary for my growth as a person. I grew up very sheltered and it was a form of expressing myself.

I think that people always get what they deserve - whether you're around to see it or not.