I made Children of God because I had to make it. And with Cargo, I also felt like I had to. The impulse comes from something deep inside. Wanting to my country to be better. Because of where we are, we don't always have spaces to reflect.

If Cargo is a catalyst to spark policy, that would be great. The more we're able to use it as an educational tool, the more it's a building block in youths' minds and peoples' minds to enact policy.

I think I want the best for my country. I can make work that makes us examine some truths about ourselves - that would be more of a contribution. That's how I see it.

Documentaries were necessary for my growth as a person. I grew up very sheltered and it was a form of expressing myself.

I made Children of God because I had to make it. And with Cargo, I also felt like I had to. The impulse comes from something deep inside. Wanting to my country to be better. Because of where we are, we don't always have spaces to reflect.

The Bahamas is a small population. But it plays a lot bigger than the population suggests. You feel close to everything. Everything that happens in the wider world happens here. Like migration issues. Or refugee issues. Or homophobia.

I know where the people are and I know how talented people are. Sometimes they aren't given opportunities because people come with their own biases about what Bahamians can do, especially if they're foreign productions.