There's something so wonderful about being an actor in New York.

CGI is to me like watching a cartoon. It can be effective, if it's done well. A lot of times you don't feel any real risk. You're watching a bunch of computer-generated graphics.

If you just work on your upper body, you're not going to be a full-range dancer or performer. You've got to work in all directions as much as you possibly can.

For me, the motivation really was to work with Al Pacino. To me, that seemed like an incredible opportunity, just a learning opportunity because I thought so highly of him.

A lot of times when I've been offered film series and stuff, if they shoot in Los Angeles, I lose interest.

Let's just say I decided that while my son is young I don't want to do projects that would take me away for months.

Unfortunately, I feel as actors we have to fight for the right to really go in as many directions as possible.