There's something so wonderful about being an actor in New York.

I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?

Scripts are kind of a bare bones type of reading material.

I'm about as healthy as a person can be. I quit smoking seven or eight years ago.

I think it's very important that films like Bad Hurt don't get lost in the mix of the sci-fi-kill-everything-on-the-screen-blood-dripping-down-the-walls sort of the world of the cinema that we live in.

I'm always surprised when people say, "Oh, it got such mixed reviews." I guess I didn't read them.

I try to offer as much as I can to the director so he has as much to work with as possible to create the character that, really, he wants to create in a sense.