I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.

In terms of the way the industry operates, the studio system was such its own thing. It's so different now that it's a globalized world.

I just think the David O. Selznick story is one of the great, epic stories of Hollywood history that nobody knows. Maybe one of the reasons why nobody knows it is because he wasn't a movie star.

The only Sundance [2011] film about cults that could actually have life as a cult film, THE WOODS has the greatest comic insight into why our current culture might inspire a search for meaning in the first place.

I was trying to see if I could produce an episode - completely write it and research it and record it and edit it - all by myself in a week.

I don't know if it's entirely fair to blame [Dennis Wilson] early death and complete self-destruction on his involvement with Charles Manson, but it was certainly a factor. It affected him psychologically and emotionally.

I really feel like I could do anything if given enough time.