I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.

I have a degree in cinema studies and the big paper I wrote at the end of that was about Judy Garland and Liza Minnelli. So I thought that I knew quite a bit about Judy Garland, but I read in passing that the Stonewall riots were a reaction to her death and I had never really read enough to know what that meant or how that could be true. I was interested in that I knew so much about Judy Garland, but I really didn't know this story.

If you look at pictures of David O. Selznick , he wasn't even attractive. There's no way to portray him in a way that is glamorous, but that's one of the things that's fascinating to me about him.

The stuff that I've been doing lately is political. It's not always about people who are super famous movie stars. The fact that people are still taking a chance and listening to the blacklist episodes is really exciting.

I was trying to see if I could produce an episode - completely write it and research it and record it and edit it - all by myself in a week.

Hollywood is really weird to talk about in this monolithic sense because it's this microcosm of anywhere. It's full of a lot of people who have different intentions and different points of view.

As a performer, I could be like, "I don't want to leave that in there." But as a producer, I have to leave it in there.