Hollywood is really weird to talk about in this monolithic sense because it's this microcosm of anywhere. It's full of a lot of people who have different intentions and different points of view.

I was trying to see if I could produce an episode - completely write it and research it and record it and edit it - all by myself in a week.

If you look at pictures of David O. Selznick , he wasn't even attractive. There's no way to portray him in a way that is glamorous, but that's one of the things that's fascinating to me about him.

One of the reasons why I failed was because I figured out in the research process that I couldn't tell it as just, "This is what Frances Farmer's life was like." There are so many questions as to what her life was like because of the way her story has been seized upon and exploited by different factions.

I don't know if it's entirely fair to blame [Dennis Wilson] early death and complete self-destruction on his involvement with Charles Manson, but it was certainly a factor. It affected him psychologically and emotionally.

I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.

For me, the Dennis Wilson story is a quintessential You Must Remember This story because it's one of these stories that people never talk about, don't really think about, and it's forgotten within this major thing that is thought to be this cataclysmic event of the 20th century.