The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.

If you want to see mankind fully, look at a family. Within the family minds become organically one, and for this reason the family is total poetry.

Witty inspirations are the proverbs of the educated.

Imagination must first be filled to the point of saturation with life of every kind before the moment arrives when the friction of free sociability electrifies it to such an extent that the most gentle stimulus of friendly or hostile contact elicits from it lightning sparks, luminous flashes, or shattering blows.

God is each truly and exalted thing, therefore the individual himself to the highest degree. But are not nature and the world individuals?

Some speak of the public as if it were someone with whom they have had dinner at the Leipzig Fair in the Hotel de Saxe. Who is this public? The public is not a thing, but rather an idea, a postulate, like the Church.

An aphorism ought to be entirely isolated from the surrounding world like a little work of art and complete in itself like a hedgehog.