Sadly - and I think this is why it's so important that we do this more - I don't have that guiding light. You know, "Oh, that Sleepless in Seattle bilingual something," like, it doesn't exist. I don't have it in my memory, and that's why I thought it was important to make it.

I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."

["When are you getting married" in Everybody Loves Somebody] is funny because it's put on by women and men. Society makes women feel like, oh, you're getting old.

I think that, for sure, we as women should try and realize that it's more about having someone to share.

[Rhimes and Pete Nowalk] have definitely, from the pilot [of How to Get Away with Murder], brought forth a woman who is unapologetically herself, unapologetically flawed, and is as vulnerable as she is powerful. I'm grateful to be in that family.

I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner.

All the products that are sold to us - those anti-aging products - are telling us that there's a due date.