I think it's not an easy task because there's not enough Latino writers that are being given opportunities to write things - and I say this because I've been given a lot of bilingual movies in the past because of my career in Mexico, and they're like, "Oh, it's going to make sense for her to do this." A lot of studios want to hit that demographic, but they sort of do it without starting in the right way, which is having someone who knows the culture, and enjoys the language as well, to be able to write these things.

I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner.

I've been transformed by stories, and I think that storytelling is definitely sacred. I take it very seriously because my life has been changed, whether it was a movie, a play, a piece of writing, poetry, a painting.

I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.

There's a lot of lies out there that we should catch and that have taken me a lot of time to sort of see, and reading up on it and getting educated on it. I'm reading a book that's about how images of beauty have hurt women along the decades. It's a very educating but infuriating thing to see, how we don't have equal opportunity because they're demanding so much more.

I would get very frustrated reading scripts that were bilingual but maybe not bicultural.

People follow my movies for a reason, and that's because I believe in them, and I don't want to just make movies for the sake of making movies.