When I was asked to change Laurel into a Latina for How to Get Away with Murder, I was terrified, because I thought, no one's going to know how to do this because the American take on my culture is never accurate.

I think it's not an easy task because there's not enough Latino writers that are being given opportunities to write things - and I say this because I've been given a lot of bilingual movies in the past because of my career in Mexico, and they're like, "Oh, it's going to make sense for her to do this." A lot of studios want to hit that demographic, but they sort of do it without starting in the right way, which is having someone who knows the culture, and enjoys the language as well, to be able to write these things.

I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner.

I should have asked for credit - but he has no idea how amazing it is that a character that was written as a boy can be equally written for a girl. It's like you said, just write a character as if it were a man, and then turn it and make it into a woman. It's like, we're human beings, after all.

What I do feel with the different scripts that they give me where I feel like this is done for one of those reasons, I share my point of view. I don't just say, "No, thank you." I say, "I feel that this represents Latinos in a wrong way, in a bad way."

[Everybody Loves Somebody] was a different take on that immigrant sort of life.

This movie [Everybody Loves Somebody] is as much for the general market as it is for Latino audiences. That's a really exciting prospect.