I became aware that all sounds can make meaningful language.

Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.

And harmony means that the relationship between all the elements used in a composition is balanced, is good.

And I'm always interested when other musicians are trying to discover new worlds of sound.

And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.

Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.

And the invention of transformations of certain figures has become the most important in musical composition.