I became aware that all sounds can make meaningful language.

But since the middle of the century in particular, the music has become very irregular in rhythm.

And harmony means that the relationship between all the elements used in a composition is balanced, is good.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

I have composed several pieces which are performed outdoors, not only in the auditoria.

And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.