And the invention of transformations of certain figures has become the most important in musical composition.

Music is mathematics, the mathematics of listening, mathematics for the ears.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.

And I'm always interested when other musicians are trying to discover new worlds of sound.

When a certain piece of music penetrates a person, a resonance is set in motion and an inner voice says: "I like this resonance. It elevates me. It develops hitherto unknown possibilities in me. I don't recognize myself. This is very interesting.

Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.