So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.

I have composed several pieces which are performed outdoors, not only in the auditoria.

But since the middle of the century in particular, the music has become very irregular in rhythm.

Being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.

We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.

I no longer limit myself.