Being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.

Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.

Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.

I was horrible at everything I ever tried to do and people respect me. The American Dream has come true!!

No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.