In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.

The September 11 attacks were the greatest work of art in the cosmos...compared to that, we composers are nothing

But since the middle of the century in particular, the music has become very irregular in rhythm.

And I'm always interested when other musicians are trying to discover new worlds of sound.

No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.