I really believe in the power of comics as an educational thing, even ones as silly as mine, because they're a gateway to the actual thing. They're like an easy entrance.

I have a diverse audience, which is great, because I like doing things that are a bit more obscure, and I love doing things that are very popular as well. Each has its own bit of joy. So I try to mix it up.

I was told I make intelligent comics, and then I made a comic about a horse that pooped.

I really believe in the power of comics as an educational thing, even ones as silly as mine, because they're a gateway to the actual thing. They're like an easy entrance.

I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.

Nothing funny about happy people. I don't know, you just look at a situation or a life, and you can kind of pick up the areas of conflict and delve in there, because that's where the most story is. If someone's happily married for 20 years, that's great, but it's not that funny.

Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".